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Lysa Karell

Connecté en tant que :

filler@godaddy.com

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Three hand-drawn black chalk portraits by Lysa Karell, painter and portrait artist

Custom Portrait Commissions

HAND-DRAWN AND PAINTED PORTRAITS

A face is more than its features. There is the gaze, a familiar expression, a way of holding the head, everything that makes a person recognizable among thousands. Faithful to the tradition of classical realism, the artist seeks to capture this presence with accuracy and sensitivity.


A portrait may mark a wedding, an anniversary or a birth, honour a loved one who has passed, or become a family heirloom handed down through generations. Delivered anywhere in the world.

Pastel, Graphite AND Black Chalk

THE DRAWN PORTRAIT

Pastel portrait drawing of a woman with a golden headdress by Lysa Karell, portrait artist

From Holbein to Ingres, the great masters captured the faces of their time in black chalk, graphite and pastel. Drawing allows a face to be modelled with great delicacy: the curve of a cheek, the shape of a mouth, the line of a strand of hair.


Black and white gives the portrait a sober, timeless elegance. Pastel, beloved by eighteenth-century portraitists, conveys the freshness and warmth of skin tones.

Oil on Canvas or Panel

THE PAINTED PORTRAIT

Oil portrait of a red-haired woman with a rose, painted as a tondo by Lysa Karell, painter

Built up in successive glazes, as the Flemish masters did, the oil portrait acquires a depth that only this medium allows. Transparent veils are laid one over another and the skin seems to glow from within.


The portrait may also be painted as a tondo. This round painting on a wood panel, prized in Renaissance Florence, notably by Botticelli, is a rare and refined format that gives the portrait the presence of an objet d’art.

THE ART OF PORTRAITURE

Reference photograph and black chalk portrait of a man by Lysa Karell

REFERENCE PHOTOGRAPH


For a face, everything begins with light. A soft source coming from the side reveals the relief without hardening the expression. The photograph should be sharp, taken at eye level, without filters or flash. The portrait faithfully follows its pose and lighting, so the choice of image is essential.

Close-ups of the eyes and neck tattoos of a skull make-up portrait drawn  black chalk by Lysa Karell

ATTENTION TO DETAIL


Each texture calls for its own treatment: the curve of an eyelid, the density of a black, the intricate lines of a tattoo on the skin. Nothing is set down on paper before it has been studied at length. These close-ups of a black chalk portrait reflect the exacting standard brought to every work.

Two stages of a pastel portrait of a young man drawn by hand by Lysa Karell

THE PROCESS


Once your photographs are received and the quote is accepted, your portrait takes its place in the studio’s commission schedule. The drawing is then patiently refined, from the layout of the proportions to the final finishing touches, and the work is shipped with the greatest care. Timelines and care are detailed in the Collector’s Guide.

Black chalk portrait of a grey-bearded man with glasses by Lysa Karell

Terms

PRICING INFORMATION

Each portrait is quoted individually. The price is determined by the medium, the size, the composition and the complexity of the subject, such as hair, clothing, jewellery or glasses. Send your reference photographs to the studio to receive a tailored proposal.

Request a quote

© 2026 Lysa Karell — All rights reserved 

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